More Books:

Wes Craven's New Nightmare
Language: en
Pages: 216
Authors: David Bergantino
Categories: Fiction
Type: BOOK - Published: 1994 - Publisher: Tor Books

Freddy Krueger returns, scarier than ever, in an all-new movie written and directed by Wes Craven, creator of the original A Nightmare on Elm Street. Wes Craven thought he was through with Freddy Krueger, until the cast and crew of the original film find themselves stalked by the deadly supernatural
Wes Craven
Language: en
Pages: 327
Authors: John Kenneth Muir
Categories: Performing Arts
Type: BOOK - Published: 2004-02-24 - Publisher: McFarland

Filmmaker Wes Craven has consistently and imaginatively scared movie audiences since the early 1970s. His films encompass a variety of styles, elements and themes, from the nihilistic existentialism of The Last House on the Left to the successful A Nightmare on Elm Street (which sent horror in a bold new
Wes Craven
Language: en
Pages: 246
Authors: Shannon Blake Skelton
Categories: Performing Arts
Type: BOOK - Published: 2019-12-16 - Publisher: Univ. Press of Mississippi

With a career spanning four decades, Wes Craven (1939–2015) bridged independent exploitation cinema and Hollywood big-budget horror. A pioneer of the modern horror cinema, Craven directed such landmark films as The Last House on the Left, The Hills Have Eyes, A Nightmare on Elm Street, and Scream—considered not only classics
Screams & Nightmares
Language: en
Pages: 336
Authors: Brian J Robb
Categories: Performing Arts
Type: BOOK - Published: 2022-04-07 - Publisher: Birlinn Ltd

In a remarkable career that spanned more than forty years, writer, producer, and director Wes Craven successfully tapped into the horror vein to create scary, funny, cutting-edge thrillers that have become classics in the genre. His films have been both critical and commercial successes, most notably A Nightmare on Elm
At the Edge of Existence
Language: en
Pages: 259
Authors: Brandon West
Categories: Performing Arts
Type: BOOK - Published: 2021-11-19 - Publisher: McFarland

Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre