Through a discussion of diverse art and media such as apocalyptic thrillers, rap, and television, Swirski debunks the American political system, sieving out fact from a sea of bipartisan untruths. Engaging with close analysis and multiple case studies, this book forges a more accurate picture of contemporary American culture and of America itself.
More Books:
Language: en
Pages: 214
Pages: 214
Through a discussion of diverse art and media such as apocalyptic thrillers, rap, and television, Swirski debunks the American political system, sieving out fact from a sea of bipartisan untruths. Engaging with close analysis and multiple case studies, this book forges a more accurate picture of contemporary American culture and
Language: en
Pages: 206
Pages: 206
Examining political novels that have achieved (or been denied) canonical status, John Whalen-Bridge demonstrates how Herman Melville, Jack London, Norman Mailer, Ralph Ellison, Toni Morrison, and Margaret Atwood have grappled with the problem of balancing radicalism and art. He shows that some books are more political than others, that some
Language: en
Pages: 181
Pages: 181
Studies how Victorian political fiction constructed women as rights-bearers who, through a combination of emotion and intellect, generally displayed their political status in the domestic sphere.
Language: en
Pages: 274
Pages: 274
Analyzes how Americans imagined themselves as citizens between 1764 and 1845 and critically investigates Americans' fundamental assumptions about a government based upon the will of the people, with profound implications for Americans' ability to assess democracy today.
Language: en
Pages: 188
Pages: 188
This book introduces Elite Theory to the literary study of class as a framework for addressing issues of the nature of governance in political fiction. The book describes the historical development and major tenets of Elite Theory, and shows how each of four post-war Washington novels—Gore Vidal’s Washington, D.C.; Allen