Lisa Robertsons poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that, in any she and a shes assumption of thinking, language whiplike casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, paintings detritus, Latin, and pillage. We recognize our grand, saddened century. Editor Elisa Sampedrn says, 'Every time I found a poem of hers, she saved me writing one. She gave volume to my intervals. I kept looking. I radiated. I made requests. I found other Lisa Robertsons and rejected them: she is not a flight attendant, not a cheerleader or home shopping host. She is chagrins first companion, error. When I find her in person, Ill engage her in fisticuffs.'
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Language: en
Pages: 104
Pages: 104
Lisa Robertsons poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that, in any she and a shes assumption of thinking, language whiplike casts ahead of itself a fortuitous form. The
Language: en
Pages:
Pages:
Verses, essays, confessions, reports, translations, drafts, treatises, laments and utopias, 1995–2007. Collected by Elisa Sampedrin. Lisa Robertson writes poems that mine the past — its ideas, its personages, its syntax — to construct a lexicon of the future. Her poems both court and cuckold subjectivity by unmasking its fundament of
Language: en
Pages: 144
Pages: 144
In this book-length poem, G.C. Waldrep addresses matters as diverse as Mormonism, cymatics, race, Dolly the cloned sheep, and his own life and faith. Drafted over twelve trance-like days while in residence at Hawthornden Castle, Waldrep responds to such poets as Alice Notley, Lisa Robertson, and Carla Harryman, and tackles
Language: en
Pages: 194
Pages: 194
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Language: en
Pages: 350
Pages: 350
Taking Dante Gabriel Rossetti, William Morris, and Gerard Manley Hopkins as its primary subjects, Surface Tension reveals how these later Victorian poets repeatedly imagine the aesthetic moment—charged, variegated, intensely focused—as capable of birthing a new, and newly redemptive, culture. Turning to contemporary experimental poets and theorists of poetry, such as