Have you ever been to a circus where the seal plays the bass drum, the monkey plays the violin, the elephant plays the cello and the kangaroo plays the bassoon! Well, at least the camel doesn’t play the didgeridoo – or does he?. This is a circus where the ring master is a tiger and the lion-tamer is, well, a lion! Well you’ll get all this and more at the Spangleland Circus in “The Adventures of Diggeldy Dan.” Too-Bo-Tan sends a speaking messenger bird to Diggeldy Dan the clown. The bird tells him that after the circus is over and everyone has gone home and the circus folk are in their tents and caravans, that after dinner they will all fall asleep – except for Diggeldy Dan, who must hide in the round white tent that stands in the center of all the bigger tents, and wait for the messenger who will come out of the west.’ Dan does this and when the messenger arrives, his adventures begin. What are the adventures you ask? Well you’ll have to download and read this book for yourself to find out. 10% of the profit from the sale of this book, and all the books Abela Publishing publishes, will be donated to charities
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Salvation--Authority-Healing-- These three major components of a three part foundation will up-hold a strong understanding of how God has put in order our access to HIS COVENANT PROVISIONS for those who choose to enter into them. This book will give you a clear picture of what must be learned if
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We all desperately want to leave a positive imprint on the world. We want to leave things and people better than we found them – to be remembered well. And so, we dread the idea that, in the end, our lives might not count for much. Made to Count drives
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Pages: 290
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Didalam buku ini penulis banyak berbicara tentang kepercayaan yang mungkin akan menganggu perasaan pembaca. Dengan itu penulis terlebih dahulu memohon maaf. Banyak dari perkara yang diamalkan dan dianggap Islam adalah merupakan ikutan dari Alkitab Bible Kristian. Para Ulama dan cendiakawan Islam yang mengikut ajaran ini, tidak mahu terkeluar dari aturan
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Connecting four centuries of political, social, and religious history with fieldwork and language documentation, A Transatlantic History of Haitian Vodou analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. Split into two sections, the African chapters focus on history, economics, and culture in Dahomey,