One of the primary objectives of comparative literature is the study of the relationship of texts, also known as intertextuality, which is a means of contextualizing and analyzing the way literature grows and flourishes through inspiration and imitation, direct or indirect. When the inspiration and imitation is direct and obvious, the study of this rapport falls into the more restricted category of hypertextuality. What the author has labeled a cryptic subtext, however, is an extreme case of hypertextuality. It involves a series of allusions to another text that have been deliberately inserted by the author into the primary text as potential points of reference. This book takes a deep dive into a broad array of literature and film to explore these allusions and the hidden messages therein.
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Language: en
Pages: 208
Pages: 208
One of the primary objectives of comparative literature is the study of the relationship of texts, also known as intertextuality, which is a means of contextualizing and analyzing the way literature grows and flourishes through inspiration and imitation, direct or indirect. When the inspiration and imitation is direct and obvious,
Language: en
Pages: 248
Pages: 248
In her latest book, Life in Citiations: Biblical Narratives and Contemporary Hebrew Culture, Ruth Tsoffar studies several key biblical narratives that figure prominently in Israeli culture. Life in Citations provides a close reading of these narratives, along with works by contemporary Hebrew Israeli artists that respond to them. Together they
Language: en
Pages: 344
Pages: 344
Romantic Legacies: Transnational and Transdisciplinary Contexts presents the most wide-ranging treatment of Romantic regenerations, covering the cross-pollination between the arts or between art and thought in Germany, Britain, France, the US, Russia, India, China, and Japan. Each chapter in the volume examines a legacy or afterlife in a comparative context
Language: en
Pages: 212
Pages: 212
Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
Language: en
Pages: 230
Pages: 230
Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and