Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticity of structure and melody, his dynamic use of the orchestra, and close attention to all aspects of presentation and production, all of which set new standards in Romantic opera and dramaturgy. This book carries forward the process of rediscovery and reassessment of Meyerbeers art including not just his famous French operas, but also his German and Italian onesplacing them in the context of his entire dramatic oeuvre, including his ballets, oratorios, cantatas and incidental music. From Meyerbeers first stage presentation in 1810 to his great posthumous accolade in 1865, some 24 works mark the unfolding of this life lived for dramatic music. The reputation of the famous four grand operas may well live on in the public consciousness, but the other works remain largely unknown. This book provides an approachable introduction to them. The works have been divided into their generic types for quick reference and helpful association, and placed within the context of the composers life and artistic development. Each section unfolds a brief history of the works origins, an account of the plot, a critical survey of some of its musical characteristics, and a record of its performance history. Robert Letellier examines each work from a dramaturgical view point, including the essentialoften challengingphilosophical and historical elements in the scenarios, and how these concepts were translated musically onto the stage. A series of portraits and stage iconography assist in bringing the works to life.
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Language: en
Pages: 270
Pages: 270
Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticity of structure and melody, his dynamic use of the orchestra, and close attention to all aspects of presentation
Language: en
Pages: 315
Pages: 315
Giacomo Meyerbeer (1791–1864) was the most successful composer of grand operas in nineteenth-century Paris, whose music continued to be frequently performed worldwide into the following century. Today, recent scholars acknowledge his stature but his operas have become stage rarities. There is normally a gap on shelves in libraries and bookshops
Language: en
Pages: 437
Pages: 437
For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from
Language: en
Pages: 732
Pages: 732
Giacomo Meyerbeer was once one of the most famous of all opera composers, enjoying into the twentieth century the same universal admiration and performance as a composer like Puccini does today. Through a series of adverse factors, his reputation was seriously damaged with the resurgence of nationalism and the growing
Language: en
Pages: 240
Pages: 240
Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the